Rides Control Essay Example for Free

Rides Control Essay To set up a firm foundation for every one of these frameworks a proficient system must be introduced so as to guarantee a quick and far reaching technique for connecting each one of those clients. The FDDI arrange on a symbolic ring topology is utilized as our spine (FDDI represents Fiber-Distributed Data Interface) and this gives us the prerequisites we requirement for speed, separation and limit. The idea of our business and the manner in which the Park is spread over an enormous territory, requires our utilizing a few strategies for correspondence. Email is utilized progressively: our present programming is Microsoft trade server 5. 5 and Outlook 98. It should assist with chopping down impressively on notices, structures, notice board data and massive reports. This has the double impact of sparing paper, ink and printing expenses and saves natural assets. Email address and site: www. thorpepark. co. uk. Email goes straightforwardly to The Tussauds Group Head Office, and by means of systems from that point, to different attractions in The Tussauds Group utilizing an ISDN interface (Integrated Services Digital Network). The principle phone switchboard is likewise ISDN. Voice message is utilized to forestall unanswered calls, and a robotized orderly kicks in on the uncommon event when our receptionists can't answer all the lines, and it consequently works after available time. Through a work area interface we can screen calls. This is a significant instrument for investigation of calls, deciding our busiest occasions of day and helping us to design our throwing assets in like manner. Some cast utilize cell phones, especially those whose work removes them from the workplace. Almost the entirety of our cast depend on radios to stay in contact with one another when they are spread about the Park which empowers cast to be occupied to explicit zones any place and at whatever point fundamental. Cast can transfer data about line lines on rides and ready security cast to any crisis circumstance. There are 8 channels all of which can contact, and be reached by, the Control Room. On the off chance that a Park-wide crisis circumstance ought to emerge, cast in the control room can communicate at the same time to each radio holder in the Park. The fundamental security framework is CCTV (Closed Circuit Television) which utilizes infra red cameras all through the Park, connected to 24 hour video recorders. High contrast and shading screens in the Control Room can dish and zoom to any zone. Along these lines cast reaction to a specific occurrence can be co-ordinated cast reaction to a specific issue. Our own security cast are nearby 24 hours per day. In marketing, complex till frameworks are being used in all the shops and food outlets. EPOS (Electronic Point of Sale) is utilized for our items with scanner tag filtering offices for the entire scope of products discounted. This is connected to the focal stock control to screen the development of all our product and food things from both our distribution centers. This is basic for keeping up sell-by dates and to estimate deals precisely. EFTOS (Electronic Fund Transfer Point of Sale) is the framework through which credit and switch cards are charged quickly and naturally through the national financial framework. Any credit or switch cards utilized in the shops are joined to a surveying machine. This is basically an interchanges method which decides when a terminal is prepared to send information the banks own PC will check all its joined terminals all the time. The entirety of the ride attractions have PC control frameworks that are taken care of by mechanical switches and optical sensors. The rides, that are for the most part mechanical, fall into three classifications water, engine and track. The PC, using optical sensors, distinguishes the locking of security bars and the speed and number of carriages passing. This data empowers the administrator to direct how quick and how regularly the ride runs. Each ride has an exceptionally complete scope of safeguard gadgets that are mechanical or electrical. There is video reconnaissance on each ride cameras are prepared on the tracks and on the carriages. This causes us to distinguish any deficiencies or likely issues. Programming programs are applications that are purchased in from significant makers, for example, Microsoft, Oracle (database), Computer Associate (reinforcement) and Network Associate (hostile to infection). These can be explicitly fit to a specific business work, for example, Finance bundles, which incorporate wages and finance frameworks, spreadsheets, and so forth. Other progressively advanced programming, for example, AutoCAD, might be essential for our Engineers and the creation group for our Entertainments Department. We basically use Microsoft Office 97, which contains a thorough scope of uses, for example, Word, Excel, Outlook, Access, PowerPoint. It is conceivable to alter our own databases for example, we have one explicitly composed for our Guest Services Department, Charter 2000. This logs remarks made by visitors, delivers a customized answer, and groups data with the goal that it very well may be replicated in report structure utilizing a program called Business Systems. It is as of now utilized at Thorpe Park and Chessington with an arranged prologue to different Tussauds Group attractions in 2001. This data is classified between the visitor and the organization. We are enlisted under the Data Protection Act to pronounce any data we may hold. The Tussauds Group Marketing Database then again is basic data shared by each fascination in the organization. It causes us accumulate promoting data so as to improve our administration. There is an electronic booking administration for gatherings so they can organize their visit and tickets by telephone, with a charge card. People can make propelled appointments. This encourages us to develop a profile of our visitors and their necessities. The deals and affirmation framework is called Omni Ticket Network. OTN have provided all the equipment separated from the hard drives, VDU screens and consoles, which are standard equipment made by Compaq. The product utilized is called Overview. The Attractions General Database (AGD) has been planned by Syntegra, the Systems Integration Business of BT and is a segment of the Sales and Admissions framework. Its main role is to give an information vault to Sales, visitors and confirmations information and to give apparatuses to permit investigation of this imported information. An optional capacity is to encourage the trade frameworks, and General Marketing Database (GMD), the outer visitor contact framework. AGD designs all the data taken from Overview (data gathered through Admissions on the tills every day) and transforms it into reports for Finance and Marketing.

The Crucible Essays

The Crucible Essays The Crucible Essay The Crucible Essay I would guide Mary to state this in an arguing and panicked power, and I would guide her to lean forward and back a little once saying it, so it would appear that she needs to connect and get Abigail. This passes on to the crowd that Mary is frozen of Abigail and she comprehends what Abigail is doing. After this, Mercy ventures forward out of the horde of young ladies in front of an audience and starts gabbing her teeth and puts her arms out to give her shaking hands and takes a gander at Danforth and Yells : Your Honor, I hold up! in a particular shuddering voice. This passes on to the crowd that Mercy needs the appointed authorities to trust Abigail, and shows that Mercy has comprehended Abigails clue to begin seeing the fiend. At the point when Mary says her next line, I would guide Mary to do the line: Lord, spare me! in a shouting so anyone can hear movement, and I would guide her to tumble to the floor by her knees beginning to twist, and I would guide delegate to get her underarms and lift her back up. This passes on to the crowd that Mary doesnt have anything to do with what Abigail is doing, and she has a feeling that she has no expectation left in her, and that lone the ruler can spare her. Danforth then takes a gander at Mary and says: Mary Warren, do you with her? I state to you, do you send your soul out? I would coordinate Danforth to take a gander at Abigail before he says the line and afterward to take a gander at Mary, this shows to the crowd that he had seen what is happening and is being one-sided about what he is stating. When Danforth is stating his lines I would guide him to state Mary Warren in a rough tone, and once he has said her name he glances back at Abigail and afterward pointedl y turns his head back to Mary and gives pointy eyes (usually known as shades of malice) to Mary. The he likewise says the line in an immediate allegation tone. This shows the crowd that Danforth trusts Mary and he is terrifying her. Once Abigail has said her line : goodness, sublime dad, remove this shadow I would guide Proctor to jump forward, relinquishing Mary, and snatches Abigail by the hair, and falls upon Danforths work area and afterward pulls himself up, as yet grasping her hair, and pulls her to her feet violently, while Abigail shouts in torment, and goes Abigail to confront him (the entirety of this would be a side perspective on the two motel front of the crowd, so the crowd can perceive what delegate is doing to Abigail) and he relinquishes her hair, however with one hand despite everything holding it firmly, and the other hand getting the base of her jawline and he lifts her jaw up and hollers : How would you call paradise, Whore! Prostitute! This communicates to the crowd that Proctor has lost his temper with Abigail, and is taking out his animosity on what she has done on her and is happy to lose his great keeps an eye on notoriety for it, to demonstrate to the court that Abigail is fit for anyt hing. When Proctor and Abigail have been isolated, Proctor should state his next line: It is a prostitute in a short of breath and anguishing way, and he should twist down and place his hands on his knees. This shows he put all his exertion into assaulting Abigail and is presently exhausted. On the line: John, you can't state such a - I would coordinate Francis to look shocked about the thing Proctor has quite recently said about Abigail, and makes large hand motions while saying it to show his feeling in what he is stating. This proposes to the crowd that he doesnt need Proctor to state that Abigail is a prostitute, and it shows that he doesnt accept what Proctor has recently said and that he doesnt accept that a kid could be fit for it. I would guide delegate to turn upward, with his head held high, holding his clench hands and attempting to hold back the tears and says : in the best possible spot, where my mammoths are had relations with. On the most recent night of my happiness, somewhere in the range of eight months past. She used to serve me in my home, sir. (He needs to cinch his jaw to prevent him from sobbing) A man may imagine that God rests, yet God sees everything, I know it now, I beseech you, sir, I implore you see her what she is. My significant other, my dear great spouse, took this young lady before long, sir, and put her put on the highroad. What's more, being what she is, a piece of vanity, sir (he is being survived. ) Excellency, excuse me. (Indignantly against himself, he gets some distance from the Governor for a second. At that point just as to cry is his lone methods for discourse left) she thinks to hit the dance floor with me on my wifes grave! What's more, well she may, for I thought of her delicately. Lord have mercy on me, I craved, and there is a guarantee in such perspiration. In any case, it is a prostitutes retribution, and you should see it; I set myself altogether in your grasp. I realize you should see it now. Where the words are in italics, this is the point at which I would guide delegate to almost separate in tears, and show his actual feeling; and the words that are in strong I would guide him to state these words unmistakably. This speaks with the crowd that Proctor is profoundly embarrassed about himself and is urgently attempting to break through to the adjudicator about what Abigail resembles. After Proctors tragic discourse, I would coordinate Danforth to take a gander at Abigail disappointingly, and afterward Abigail would state her line turning around to Danforth and venturing towards him saying in a sharp tone : what look do you give me? I would coordinate Danforth to look dazed now) Ill not have such looks. (she turns for the entryway) By Abigail saying this in a sharp tone, and Danforth being paralyzed, it passes on to the crowd that Abigail is as yet controlling Danforth and that Danforth is currently beginning to trust Proctor. When Elizabeth has entered on page 90, I would guide Elizabeth to state her first line: Good, sir faintly. This passes on to the crowd that Elizabeth has been dealt with gravely in the jail and has unexpected weakness. I would then direct Elizabeth to attempt to get delegate consideration while saying: she were - I would guide her to look in delegate bearing, with a tear in her eye, and she would state the line tentatively. This passes on to the crowd that Elizabeth doesnt realize how to respond to the inquiry as she doesn't have the foggiest idea whether her better half needs her to let them know or not. At the point when Elizabeth says the line Oh God! I would guide her to endeavor to glance back at delegate and for her to separate in tears. This passes on to the crowd that she lied for Proctor not understanding that he didnt need her to lie for him. After this dramatization in front of an audience, I would guide Hale to state his line a requesting way. At the point when he says the line: I trust him! (Highlighting Abigail. ) This young lady has consistently struck me bogus! She has - I would guide him to rapidly point at Abigail, utilizing his entire arm and will stroll to towards her before he completes the sentence. This shows the crowd that Hale trusts Proctor and is attempting to show the court what is truly occurring and that he is attempting to persuade the court to trust Proctor. When Abigail shouts and says the line: You won't! Begone! Begone I state! In a terrified way; I would coordinate Abigail to push her arms back and to gaze toward the roof while saying the line, however not long before she says the line I would guide her to make a strange, wild and chilling cry. When Danforth asks Abigail what is wrong, I would coordinate Abigail to point at the roof with dread, and moves her head to confront Danforth, and her eyes look alarmed, with her face awfully awed, and afterward she takes a gander at the young ladies, and they all do likewise as what she was doing already, and afterward Abigail gazes toward the roof once more. This passes on to the crowd that Abigail is advising the young ladies to gaze toward the roof as something is there. At the point when Proctor says the line : Do you see a winged creature I would guide him to state this in a confounded manner, to show that hes not certain if a genuine little feathered creature is there or not. This passes on to the crowd that solitary the young ladies can see the fowl. On the line: Abby, Im here! I would guide Mary to shout this at Abigail while inclining forward a bit, as though to go close to her, while with two hands gripped on her heart. This passes on to the crowd that Mary is urgent for Abby to stop it and that Mary isnt doing anything incorrectly. At the point when all the young ladies state: Abby you mustnt I would guide every one of their eyes to fixed fully open. This makes a sensational impact in front of an audience and passes on to the crowd that their activities have something to do with their arrangement with the fallen angel. Mary at that point shouts: Abby and I would guide her to have tears moving down her cheeks, yet not insanely, and for her to stamp her feet like a little kid edgy to get what she needs. This passes on to the crowd again that Mary is urgent for Abigail to stop in any case if the appointed authorities trust Abigail and the young ladies; Mary could confront a capital punishment for it. On the line: Look out! Shes descending! I would guide all the young ladies to gaze upward before that line and once the line is stated, all the young ladies should screech and race to divider in front of an audience where the appointed authorities are not situated. I would likewise coordinate the spread the eyes utilizing a cross shape with their hand, with the palms confronting outwards, similar to a shield before their eyes. The young ladies all shout, and afterward I would guide Mary to check out the court, to look terrified, and close her eyes with her clench hands gripped, and for her to let out the most intense shout she can, and when this happens I would guide the young ladies shouts to gradually blur and for them to un-shield their eyes, so everybody in the court is watching Mary shouting. At that point I would guide delegate to run towards her and to get her by the shoulders. This proposes to the crowd that Mary got to frightened and joined Abigails side, and that Proctor is surprised by what Mary has quite recently done. From that point forward, I would coordinate that Mary pulls from delegate and quits shouting, yet goes to confront him and gradually steps back screeching: My name, he need my name (I would guide Mary to take a gander at Danforth thoughtfully and afterward turn around round) Ill homicide you he state, if my significant other hangs!

Short Story Analysis

Short Story Analysis In this paper, your motivation is to completely clarify a component (subject, portrayal or imagery) in a short story of your decision. I will furnish you with instances of every component from stories by Hemingway, Updike and Vonnegut ; you may expound on any of these creators aside from the ones that we have examined in class. Be that as it may, you may decide to explore a creator willingly. Beneath I have recorded some contemporary creators and story assortments you might need to look at: Jhumpa LahiriFlannery O'Connor Raymond Carver William Faulkner David Sedaris Tobias Wolff Ernest Hemingway John Updike Kurt Vonnegut Carolyn Ferrell E. Annie Proulx T. Coraghessan Boyle Melissa Bank John Edgar Wideman Jim Ray Daniels Kevin Canty Nathan Englander Amy Tan Z. Z. Packer Thom Jones Sarah Vowell â€Å"The Best of Non Required Reading† Series All-Story Magazine *If you pick a writer not recorded above, if you don't mind clear your decision with me before you s tart drafting. ___________________________________________________________________ Below re meanings of the three components that you can concentrate on for your investigation. Portrayal †the formation of the picture of nonexistent people in show, account verse, the novel, and the short story. Portrayal creates plot and is uncovered by activities, discourse, contemplations, physical appearance, and the other characters’ considerations or words about him. Subject The thought or purpose of a story defined as a speculation. In American writing, a few subjects are apparent which reflect and characterize our society.The predominant ones may be blamelessness/experience, life/passing, appearance/reality, through and through freedom/destiny, frenzy/rational soundness, love/detest, society/individual, known/obscure. Topics may have a solitary, rather than a double nature too. The topic of a story might be an emotional meltdown, or creative mind, or the duality of mankind (inconsi stencies). Imagery An individual, spot or article which has a significance in itself yet proposes different implications too. Things, characters and activities can be images. Anything that proposes a significance past the obvious.Some images are regular, by and large importance something very similar to all perusers. I. e: white= virtue, fire=passion/force, Spring=rebirth Short Story Analysis Requirements You will finish 2 short story examinations for this unit; you will pick 2 of the 3 components (subject, portrayal or imagery) to concentrate on. You may do the third component for additional credit. In this article, compose as though your crowd is curious about with the story; along these lines, you may need to do some outline of the story and give some foundation so you conversation would be justifiable to your audience.Here is the thing that you will requirement for this exposition: 1. An incredible title that makes your peruser aware of the substance of the conversation. 2. A fu ll presentation wherein you present the title of your story, the author’s complete name, and your theory about the story. 3. A multi-passage body in which you clarify the significant component you are concentrating on (subject, portrayal or imagery). 4. Solid advances that move the peruser easily through the conversation. 5. An abundance of proof from the story as plot outline and citation that SHOWS what you are stating is valid. . Incidental references to show where your citations originate from. 7. A Works Cited page demonstrating where you discovered your story. 8. A proposed complete length of at the very least 500 words (barring Works Cited, title, and so on ) 9. A legitimate tone that shows an exhaustive comprehension of the story being referred to and the specific component being broke down. 10. A decision that gives a feeling of conclusion and leaves us with a solid idea or perception about the story or its themeWithout Politics: An Analysis of Symbolism in Ernest He mingway’s â€Å"The Old Man at the Bridge† Masterpiece. We will in general abuse that designation today, yet Ernest Hemingway’s short story â€Å"The Old Man at the Bridge† is positively meriting. Set during the Spanish Civil War, Hemingway’s story is a perfect work of art of succinctness and verbal economy, and the situation of the unprotected elderly person who is â€Å"without politics† obviously shows the author’s judgment of the silly fierceness and ruinous tendency of present day war (Hemingway 79).In this concise look at war, Hemingway meshes a few significant images into the story to improve his topic and point out the shockingly unexpected highlights of war’s capacity to annihilate even the most blameless animals afterward. The story’s most evident image is simply the extension. The anonymous elderly person of the title has strolled more than six miles from his home in San Carlos and now ends up depleted at the foot of the scaffold over the Ebro River. There he is met by the storyteller, a scout for the counter fundamentalist powers, and cautioned to move along. Shockingly, the elderly person is too worn out to even think about journeying any further.On the most distant side of the scaffold lies Barcelona, which emblematically speaks to the chance of security and shelter. On the close to side, just certain pulverization anticipates as the elderly person was cautioned to clear his old neighborhood on account of the approaching shelling by extremist cannons. To put it plainly, the extension represents the final turning point for the elderly person: in the event that he traverses, he might be sheltered yet he should surrender all that he knows and cherishes in San Carlos; on the off chance that he stays, nonetheless, he will in all likelihood share the destiny of his dearest creatures he thought about in San Carlos.The concealed creatures are additionally significant images in Hemingwayâ€⠄¢s story. The elderly person tells the storyteller that he thought about â€Å"two goats and a feline and afterward there were four sets of pigeons† (Hemingway 79). Thinking about the creatures is the old man’s sole reason and delight throughout everyday life, and on the grounds that he doesn't have the solidarity to carry them with him to security, he has needed to desert them. Their destiny inconveniences him. He tells the scout, â€Å"The feline, obviously, will be OK. A feline can pay special mind to itself, yet I can't figure what will happen to the others† (Hemingway 79).When the storyteller attempts to guarantee him that the fowls will likewise be fine, the elderly person says, â€Å"Yes, unquestionably they’ll fly. In any case, the others. It’s better not to consider the others† (Hemingway 80). Obviously, the creatures are on the whole that the elderly person is considering, and their security is more essential to him than his own. In contrast to the warring groups, the elderly person feels sympathy for the individuals who are not prepared to endure the enormous demolition going to be unleashed.Also, the various creatures had the option to live respectively calmly with the old man’s care and love, however the two human armed forces, amusingly, can't. The importance of the old man’s winged animals is increased when the storyteller inquires as to whether he left â€Å"the dove confine unlocked† (Hemingway 80, my accentuation). By alluding to the pigeons as pigeons, the storyteller is suggesting the conventional imagery of the pigeon as a feathered creature of harmony and honesty. In such a situation of scorn and savagery, these images of harmony have no spot and should â€Å"fly† or confront death.Their magnificence and delicate nature are not fit for endurance under such conditions, similarly as any individual who represents harmony will have no impact on the carnage to come. The sto ryteller additionally calls attention to that the story is determined to Easter Sunday, a Christian occasion intended to observe Christ becoming alive once again. The incongruity is evident; nobody will become alive once again, just join the dead, when the shells start to pour down and the skies clear to permit the extremist aircraft to make their runs. Easter is emblematically seen as a profoundly envisioned, welcome time of resurrection, reestablishment, and conceivable change.For the elderly person at the foot of the scaffold, this Easter brings just unavoidable passing and the annihilation of all that is important to him. At long last, he most significant image in the story is simply the elderly person. His emblematic guiltlessness is seen when he tells the storyteller, â€Å"I am without politics† (Hemingway 79). The unarmed elderly person doesn't have a place with either side and he has no enthusiasm for taking an interest in the contention. He is 76 years of age and ha s scarcely enough solidarity to make it to the scaffold; he obviously represents no risk to anyone.Even along these lines, his destiny is clarified when the storyteller forebodingly discloses to us that the fleeting postponement of the unavoidable shelling â€Å"and the way that felines realize what to look like out for themselves was all the good karma that elderly person could ever have† (Hemingway 80). Since the Spanish Civil War was a forerunner to World War II and made the world aware of what abhorrences would lie ahead for guiltless men, ladies, youngsters, and creatures everywhere throughout the planet when the contention spread, Hemingway gives us what befalls the blameless and the weak in this new brand of all out war.There is no spot for sympathyâ€beyond making the elderly person aware of continue moving and perhaps hitch a ride to Barcelona, the storyteller doesn't make a special effort to support the vulnerable elderly person. Since the elderly person can't hel p in the war, he is an obstacle, as is feeling any extreme feeling for him that may take away from performing one’s military obligation. The scout attempts to console the elderly person that his creatures will be fine, yet he isn't going to go recover them for the old man.He prompts the elderly person to cross the extension, yet he won't move the elderly person himself. All things considered, he has the â€Å"business† of war to watch out for (Hemingway 78). This is as much benevolence and sympathy as possible expect, and it is not even close to enough to guarantee endurance. At long last, Hemingway catches the cruelty and uncouth nature of war. Unexpectedly, he does as such without a solitary shot being discharged or one drop of blood being spilled in his story of an anonymous elderly person at an overlooked bridge.His images are painstakingly set and quietly created, permitting perusers to concentrate on the heartbreaking destiny of

How You Motivate Yourself To Study What Is Driving You To Study Hard - 550 Words

How You Motivate Yourself To Study: What Is Driving You To Study Hard? (Admission Essay Sample) Content: Admission essay Name Institutional affiliation I have grown up in a family where everyone pays close attention to education and the benefits that education comes with. My siblings and I are always reminded that education is the key to success and my parents never fail to give an example of a cousin or other relatives who took their studies seriously and are now doing well in life. The fact that other people have succeeded to do very well in life by dedicating their time t studying is one of the factors that motivate me to study hard. Apart from that, I believe that my parents have made great sacrifices by committing their efforts towards ensuring that I get a better quality education. I don’t think I would have made this far without the sacrifices that my parents have made in terms of ensuring that my tuition fees as well as other educational expenses are catered for. Their sacrifice shows that they have a lot of faith in me and the fact that I don’t want to end up disappointing them motivates me to study harder. M y family, relatives and friends have played an influential role in the achievements I have made so far. They always encourage me to work harder and don’t fail to point out where I have gone wrong and areas where I need to improve. The fact that both my family and friends care about my academic performance is another great motivator and the reason why I strive to study harder. I also believe that education is the best way through which each individual can ensure that their future and the future of t...

Veiled Sentiments Essay - 1240 Words

VEILED SENTIMENTS Honor and Poetry in a Bedouin Society (Critique) The book, Veiled Sentiments: Honor and Poetry in a Bedouin Society, by author and anthropologist, Lila Abu-Lughod, who is best known for her work on womens issues in the middle east, presents two years of fieldwork in Egypt among the Awlad Ali Bedouin community who have gone from living a nomadic lifestyle , a farming system where animals are transported from one area to another in search for fresh grazing land, to living in villages where smuggling, raising animals, and doing odd jobs are ways of supporting themselves. In the book, Abu-Lughod brings together the concepts of structure, hierarchy, ideology, and discourse to illustrate the Bedouin culture, and how the†¦show more content†¦(p.79) When reading Veiled Sentiments, I got the impression that the existing social hierarchy among the Awlad Ali was based on gender, age, wisdom, and wealth, Women are always dependent, and Â…the powerful have obligations and responsibilities to protect and care for the weak. The weaker members epitomized by the helpless infant, and by extension all children. (p.80-81) Abu- Lughod did a good job depicting the ways that the social hierarchy works, by including terminology such as wliyya, and by vividly describing situations where women, and children seemed weaker than the adult males in the community, who in most situations appeared to be the head of households. The author also goes further into the ideals of the Awlad Ali by discussing the relations between female modesty (hasham), natural inferiority, and sexuality. She depicts the ideal woman in the eyes of the Bedouin people, describing her as soft spoken, and well-behaved, and with no open thoughts on sexuality. Apart from discus sing the importance of hasham in a woman, Abu- Lughod points out that emotion of love and affection between men and women is a taboo. Men that show emotion towards a woman are seen to be weak and are shunned upon by their male peers, as well as women in the community. Women claim, for instance, that real men control all their dependents and beat their wives when the wives do stupid things ( p.89). InShow MoreRelatedChapter 4 of Veiled Sentiments800 Words   |  4 PagesChapter four of Veiled Sentiments showed why sexual modesty is essential to a women’s honor. The Bedouins are much more enthusiastic with the birth of a boy over a birth of a girl. 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So in order to understand the practice of veiling, we must think in terms of cultural relativism, and look at veiling in the context of Bedouin ethics, customs, and beliefs. In this essay, I will be using facts gathered by Lila Abu-Lughod in her ethnography, â€Å"Veiled Sentiments: Honor and Poetry in a BedouinRead MoreThe View Of The East936 Words   |  4 Pagesexperiences. In these discussions, Muslim women are represented to be submissive and veiled without a voice and agency of their own. The outward and highly visible symbol of the veil has become the epitome of Muslim â€Å"otherness† in much of the Western world and, as such, has become the focal point of Western dialogue in identifying the oppression of women within Islam. 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Judgment in Peter Shaffers Equus and Albert Camus The...

Personal judgment in Peter Shaffer’s Equus and Albert Camus’ The Stranger, though internal in the first and external in the latter, mirrors society’s judgment of those who differ from the norm. The two postmodernist authors both use judgment as a tool to promote the postmodern idea that society oppresses and criticizes people who are not like everyone else. Camus and Shaffer place specific motifs and elements into their novels in order to push the idea of societal judgment on the reader. However, while the ideas may be the same, Camus and Shaffer use them contrastingly. Shaffer tends to use judgment of the self while Camus leans towards judgment of others, but the judgment ultimately leads back to people who do not conform to the norm.†¦show more content†¦The combination of the setting of a trial, the inspection of Meursault, and the anonymity of the jurors leads to an unmistakable sense of external evaluation and consequently societal judgment in The Stranger. Camus and Shaffer use these physical elements in their works in order to permeate both texts with a sense of societal criticism. Shaffer and Camus pass judgment on Dysart and Meursault through their lack and removal of passion. In Equus, Dysart specifically mentions the lack of passion in himself. When speaking to Hesther, Dysart criticizes himself for his fake love for the wild and primitive. He states, â€Å"I settled for being pallid and provincial, out of my own eternal timidity† (2.25). This statement, just a small part of the entire rant against himself, is opposed by Hesther. Dysart, as a psychiatrist, tries to remove emotion and individuality from his patients, specifically Alan. Unlike Hesther, who sees psychiatry as removing pain, Dysart judges himself for becoming a person who removes uniqueness. Alan contains too much emotion to ever be considered normal and as the play continues Dysart becomes more and more opposed to ‘fixing’ him. Dysartà ¢â‚¬â„¢s specific speeches about how he hates himself for becoming impassionate and removing the passion in his patients contrast with society’s normal views. These rants, because they are inShow MoreRelatedA Comparison Peter Shaffers Equus and Albert Camuss The Stranger1042 Words   |  5 PagesThe ways in which truths are presented to external audiences concerning outside characters display not only a good judgment of character on the presenter, but furthermore, the often insignificant nature of whom the presenter is talking about, even if the insignificance presented is accidental. Both Peter Shaffer’s Equus and Albert Camus’ The Stranger approach different ways in presenting the truths of Alan Strang and Meursault to the audience/jury, but one thing remains clear; intentional or unintentional

A Response to Modernist Painting by Clement Greenberg Essay Example For Students

A Response to Modernist Painting by Clement Greenberg Essay Greenberg insiders the philosopher Kant to be the first real Modernist by being the first person to be known to do this. Modernism grew out of the criticism of the Enlightenment however it is not the same thing. Criticism in the Enlightenment was done from the outside in the traditional sense; Modernism uses the procedures themselves to criticize from the inside. Although Modernist painting came after the enlightenment and seemed to break all the rules from the past, it was not a break for the past it was simply the next step in arts continuation. Through self-criticism Modernists goal was to eliminate any effect that was arrowed from the medium they were working with and any other art. Modernist painters wanted their art to be considered as pure from any Other form or principle. To do this factors that were previously regarded as undesirable were now having attention brought to them and regarded as positive effects such as the flatness of the surfaces, the shape of the support and properties of the pigment. Flatness was the major factor of pictorial art because it was the only element not shared with any other art form such as sculpture, theater, etc, Other elements that varied were the shape and frame of the picture, the paint texture ND finish and the color contrast and value. In Post-painterly Abstraction Greenberg starts by defining words to help us understand what Abstract Expressionism is. Painterly is the first word meaning the blurred, broken, loose definition to color and contour. The opposite to painterly is linear meaning clear, unbroken and sharp definition, Informed of these definitions we can better notice the continuities and differences in the art of the present as well as the past, Abstract Expressionism is both abstract and painterly. Abstract art became something that was known as neatly drawn and smoothly minted works of art with clean outlines and flat clear colors. Its painterly beginnings were being almost completely overshadowed by the flatness aspect of the style. When Abstract Expressionism emerged people were startled by the flurry of strokes, blotches and trickles of paint in which all order, form and discipline seemed to be disregarded. Abstract Expressionism is a certain style of art that has gone through its ups and downs and produced art Of major importance. The style turned into a school, then a manner and finally a set of mannerisms. The most noticeable of these mannerisms was the Tenth Street Touch. The Tenth Street Touch was the stroke left when a loaded brush or knife frays out and merges into streaks, ripples and specks of paint by which creating different variations of light and dark. Soon however the set of mannerisms became reduced as thousands of artists attempted to recreate this style. A reaction came about to the standardization of this style. The reaction moved toward linear clarity and physical openness of design. To these qualities the new paintings owe a sense of freshness that became a new trend in Abstract Painting. This new trend also included high keying as well as lucidity to their color. Many them stress contrasts of pure hue and tend to avoid thick paint and tactile effects, Most of the art also has a geometrical regularity. This trend however is exactly that and does not constitute a school or fashion. On the other side of the reaction, pop Art has taken over the tame of Abstract Expressionism. Modernist painting opened the door for the freedom of the many art styles to follow. Before Modernism no one questioned the styles or mannerisms in the past and it was considered good if they tired to copy that style and were constrained to its boundaries of color hero, simulation of three-dimensional space and subject matter. .u5a9ba8925e698ae3981742f45378f686 , .u5a9ba8925e698ae3981742f45378f686 .postImageUrl , .u5a9ba8925e698ae3981742f45378f686 .centered-text-area { min-height: 80px; position: relative; } .u5a9ba8925e698ae3981742f45378f686 , .u5a9ba8925e698ae3981742f45378f686:hover , .u5a9ba8925e698ae3981742f45378f686:visited , .u5a9ba8925e698ae3981742f45378f686:active { border:0!important; } .u5a9ba8925e698ae3981742f45378f686 .clearfix:after { content: ""; display: table; clear: both; } .u5a9ba8925e698ae3981742f45378f686 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u5a9ba8925e698ae3981742f45378f686:active , .u5a9ba8925e698ae3981742f45378f686:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u5a9ba8925e698ae3981742f45378f686 .centered-text-area { width: 100%; position: relative ; } .u5a9ba8925e698ae3981742f45378f686 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u5a9ba8925e698ae3981742f45378f686 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u5a9ba8925e698ae3981742f45378f686 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u5a9ba8925e698ae3981742f45378f686:hover .ctaButton { background-color: #34495E!important; } .u5a9ba8925e698ae3981742f45378f686 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u5a9ba8925e698ae3981742f45378f686 .u5a9ba8925e698ae3981742f45378f686-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u5a9ba8925e698ae3981742f45378f686:after { content: ""; display: block; clear: both; } READ: Fashion: Color and Type Your Response EssayModernism allowed artist to make art that was controversial in subject matter and sometimes only made sense to the artist. Being different was a good thing in Modernism and it allowed for the creativity and expansion for art to evolve. The article about abstract expressionism really showed how art is always changing and evolving by taking pieces Of the past With them bolt still progressing forward. It shows what it takes for some art styles to become a fashion and how some are only ever a trend and that with all fashions something new will always come to replace it.