Veiled Sentiments Essay - 1240 Words

VEILED SENTIMENTS Honor and Poetry in a Bedouin Society (Critique) The book, Veiled Sentiments: Honor and Poetry in a Bedouin Society, by author and anthropologist, Lila Abu-Lughod, who is best known for her work on womens issues in the middle east, presents two years of fieldwork in Egypt among the Awlad Ali Bedouin community who have gone from living a nomadic lifestyle , a farming system where animals are transported from one area to another in search for fresh grazing land, to living in villages where smuggling, raising animals, and doing odd jobs are ways of supporting themselves. In the book, Abu-Lughod brings together the concepts of structure, hierarchy, ideology, and discourse to illustrate the Bedouin culture, and how the†¦show more content†¦(p.79) When reading Veiled Sentiments, I got the impression that the existing social hierarchy among the Awlad Ali was based on gender, age, wisdom, and wealth, Women are always dependent, and Â…the powerful have obligations and responsibilities to protect and care for the weak. The weaker members epitomized by the helpless infant, and by extension all children. (p.80-81) Abu- Lughod did a good job depicting the ways that the social hierarchy works, by including terminology such as wliyya, and by vividly describing situations where women, and children seemed weaker than the adult males in the community, who in most situations appeared to be the head of households. The author also goes further into the ideals of the Awlad Ali by discussing the relations between female modesty (hasham), natural inferiority, and sexuality. She depicts the ideal woman in the eyes of the Bedouin people, describing her as soft spoken, and well-behaved, and with no open thoughts on sexuality. Apart from discus sing the importance of hasham in a woman, Abu- Lughod points out that emotion of love and affection between men and women is a taboo. Men that show emotion towards a woman are seen to be weak and are shunned upon by their male peers, as well as women in the community. Women claim, for instance, that real men control all their dependents and beat their wives when the wives do stupid things ( p.89). InShow MoreRelatedChapter 4 of Veiled Sentiments800 Words   |  4 PagesChapter four of Veiled Sentiments showed why sexual modesty is essential to a women’s honor. The Bedouins are much more enthusiastic with the birth of a boy over a birth of a girl. These people would rejoice for a boy and mourn for a girl. I understand this is their way of life and this is within their culture but if girls were never born, then who would give birth to any boys later on in life? Men are very important to a tribe because its strength measured by its number of men. As a whole,Read MoreThe Id eas, Meanings, And Power Dynamics1303 Words   |  6 PagesFrom what has been revealed, it can be presumed that a substantial difference of veiling across the board, is enforcement. From Veiled Sentiments to Young and Defiant in Tehran, the differences in ideas regarding veiling are noticeably contrasting. The three anthropology texts involved, include further inside information and feelings regarding veiling. In Veiled Sentiments by Lila Abu-Lughod, veiling is a choice and is not forced on women. Due to the faith and freedom of choice, most women willinglyRead MoreA Google Search For The Term Muslim Women 1735 Words   |  7 Pageswell in her idea of ‘the Other.’ Women are defined in terms of and compared to men, often as submissive and inferior, but this also plays out on a racial scale, in this case of Muslim as inferior comparison to whiteness (de Beauvoir 203). The Muslim, veiled woman cannot be experienced as oppressed without the knowledge of the western woman as (often white and) liberated. De Beauvoir claims that unlike other ‘Others’ women worldwide cannot form a community together, and so attach themselves to men asRead MoreCultural Relativism, By Lila Abu Lughod1359 Words   |  6 Pagesmight â€Å"be free to not be veiled† undermines Bedouin culture because it fundamentally misunderstands the practice of veiling, speaking about it in an Am erican context rather than a Bedouin context. So in order to understand the practice of veiling, we must think in terms of cultural relativism, and look at veiling in the context of Bedouin ethics, customs, and beliefs. In this essay, I will be using facts gathered by Lila Abu-Lughod in her ethnography, â€Å"Veiled Sentiments: Honor and Poetry in a BedouinRead MoreThe View Of The East936 Words   |  4 Pagesexperiences. In these discussions, Muslim women are represented to be submissive and veiled without a voice and agency of their own. The outward and highly visible symbol of the veil has become the epitome of Muslim â€Å"otherness† in much of the Western world and, as such, has become the focal point of Western dialogue in identifying the oppression of women within Islam. The belief that Muslim women are oppressed by simply being veiled generalizes the female population of the religion and inaccurately paints women’sRead MoreAnalysis Of Marjane Satrapi s Persepolis Essay1519 Words   |  7 PagesFor Satr api, the Islamic faith was a source of comfort for her when she was a child. In fact, she was so enraptured by her faith that she told her school teacher she wanted to be a prophet when she grew up (Persepolis, 2003, pg. 8). However, this sentiment quickly changes when her uncle Anoosh is executed as a result of the Iranian revolution. She confronts God and shouts â€Å"Shut up you! Get out of my life! I never want to see you again! Get out!† (Persepolis, 2003, pg. 70). She is then pictured floatingRead MoreMarriage Is Not Considered A Bond871 Words   |  4 Pagesagreement take the participants’ individual wishes into account. These arrangements can create a strain, mostly on the woman, between loyalty to her blood family and loyalty to her new husband’s family. According to Lila Abu-Lughod, the author of Veiled Sentiments: Honor and Poetry in Bedouin Society, this is the â€Å"problem with marriage.† This problem created, in Bedouin societies, is a conflict with agnation and the dominant bond agnation is meant to carry. It may allow for a person to become more connectedRead MoreThe Inability of Brutus to Assume Political Leadership of the Conspiracy Against Julius Caesar in Shakespeares Play1055 Words   |  5 Pages Cassius, Be not deceived. If I have veiled my look, I turn the trouble of my countenance Merely upon myself. Vexed I am Read More Douglas Egerton’s He Shall Go Out Free Essay1214 Words   |  5 Pagessurprise that eighteenth century Charleston would find revolution fermenting among its slave population. In his book He Shall Go Out Free, Douglas Egerton describes the life of Denmark Vesey, a freed slave in Charleston, who held a deep and thinly-veiled hatred of slavery and the city’s ruling elite, and was best known for leading a failed attempt at revolt which cost his life. However, Egerton argues one must look beyond the span of Vesey’s lifetime to best understand his impact upon the historyRead MoreStar Wars and Vietnam926 Words   |  4 PagesNorth Vietnamese (Rebels) in the help to overthrown and get rid of the evil Galactic Empire (United States) that took over and used their homeland as a base. Also, the portrayal of the Ewoks as inferior small people by the Galactic Empire shows the sentiments that we had toward the Vietnamese and the way we viewed them as not as or less important. Little did the Storm Troopers and Empire know that they would play a very important and pivotal role in the destruction of the Empire on Endor and their Empire

Judgment in Peter Shaffers Equus and Albert Camus The...

Personal judgment in Peter Shaffer’s Equus and Albert Camus’ The Stranger, though internal in the first and external in the latter, mirrors society’s judgment of those who differ from the norm. The two postmodernist authors both use judgment as a tool to promote the postmodern idea that society oppresses and criticizes people who are not like everyone else. Camus and Shaffer place specific motifs and elements into their novels in order to push the idea of societal judgment on the reader. However, while the ideas may be the same, Camus and Shaffer use them contrastingly. Shaffer tends to use judgment of the self while Camus leans towards judgment of others, but the judgment ultimately leads back to people who do not conform to the norm.†¦show more content†¦The combination of the setting of a trial, the inspection of Meursault, and the anonymity of the jurors leads to an unmistakable sense of external evaluation and consequently societal judgment in The Stranger. Camus and Shaffer use these physical elements in their works in order to permeate both texts with a sense of societal criticism. Shaffer and Camus pass judgment on Dysart and Meursault through their lack and removal of passion. In Equus, Dysart specifically mentions the lack of passion in himself. When speaking to Hesther, Dysart criticizes himself for his fake love for the wild and primitive. He states, â€Å"I settled for being pallid and provincial, out of my own eternal timidity† (2.25). This statement, just a small part of the entire rant against himself, is opposed by Hesther. Dysart, as a psychiatrist, tries to remove emotion and individuality from his patients, specifically Alan. Unlike Hesther, who sees psychiatry as removing pain, Dysart judges himself for becoming a person who removes uniqueness. Alan contains too much emotion to ever be considered normal and as the play continues Dysart becomes more and more opposed to ‘fixing’ him. Dysartà ¢â‚¬â„¢s specific speeches about how he hates himself for becoming impassionate and removing the passion in his patients contrast with society’s normal views. These rants, because they are inShow MoreRelatedA Comparison Peter Shaffers Equus and Albert Camuss The Stranger1042 Words   |  5 PagesThe ways in which truths are presented to external audiences concerning outside characters display not only a good judgment of character on the presenter, but furthermore, the often insignificant nature of whom the presenter is talking about, even if the insignificance presented is accidental. Both Peter Shaffer’s Equus and Albert Camus’ The Stranger approach different ways in presenting the truths of Alan Strang and Meursault to the audience/jury, but one thing remains clear; intentional or unintentional

A Response to Modernist Painting by Clement Greenberg Essay Example For Students

A Response to Modernist Painting by Clement Greenberg Essay Greenberg insiders the philosopher Kant to be the first real Modernist by being the first person to be known to do this. Modernism grew out of the criticism of the Enlightenment however it is not the same thing. Criticism in the Enlightenment was done from the outside in the traditional sense; Modernism uses the procedures themselves to criticize from the inside. Although Modernist painting came after the enlightenment and seemed to break all the rules from the past, it was not a break for the past it was simply the next step in arts continuation. Through self-criticism Modernists goal was to eliminate any effect that was arrowed from the medium they were working with and any other art. Modernist painters wanted their art to be considered as pure from any Other form or principle. To do this factors that were previously regarded as undesirable were now having attention brought to them and regarded as positive effects such as the flatness of the surfaces, the shape of the support and properties of the pigment. Flatness was the major factor of pictorial art because it was the only element not shared with any other art form such as sculpture, theater, etc, Other elements that varied were the shape and frame of the picture, the paint texture ND finish and the color contrast and value. In Post-painterly Abstraction Greenberg starts by defining words to help us understand what Abstract Expressionism is. Painterly is the first word meaning the blurred, broken, loose definition to color and contour. The opposite to painterly is linear meaning clear, unbroken and sharp definition, Informed of these definitions we can better notice the continuities and differences in the art of the present as well as the past, Abstract Expressionism is both abstract and painterly. Abstract art became something that was known as neatly drawn and smoothly minted works of art with clean outlines and flat clear colors. Its painterly beginnings were being almost completely overshadowed by the flatness aspect of the style. When Abstract Expressionism emerged people were startled by the flurry of strokes, blotches and trickles of paint in which all order, form and discipline seemed to be disregarded. Abstract Expressionism is a certain style of art that has gone through its ups and downs and produced art Of major importance. The style turned into a school, then a manner and finally a set of mannerisms. The most noticeable of these mannerisms was the Tenth Street Touch. The Tenth Street Touch was the stroke left when a loaded brush or knife frays out and merges into streaks, ripples and specks of paint by which creating different variations of light and dark. Soon however the set of mannerisms became reduced as thousands of artists attempted to recreate this style. A reaction came about to the standardization of this style. The reaction moved toward linear clarity and physical openness of design. To these qualities the new paintings owe a sense of freshness that became a new trend in Abstract Painting. This new trend also included high keying as well as lucidity to their color. Many them stress contrasts of pure hue and tend to avoid thick paint and tactile effects, Most of the art also has a geometrical regularity. This trend however is exactly that and does not constitute a school or fashion. On the other side of the reaction, pop Art has taken over the tame of Abstract Expressionism. Modernist painting opened the door for the freedom of the many art styles to follow. Before Modernism no one questioned the styles or mannerisms in the past and it was considered good if they tired to copy that style and were constrained to its boundaries of color hero, simulation of three-dimensional space and subject matter. .u5a9ba8925e698ae3981742f45378f686 , .u5a9ba8925e698ae3981742f45378f686 .postImageUrl , .u5a9ba8925e698ae3981742f45378f686 .centered-text-area { min-height: 80px; position: relative; } .u5a9ba8925e698ae3981742f45378f686 , .u5a9ba8925e698ae3981742f45378f686:hover , .u5a9ba8925e698ae3981742f45378f686:visited , .u5a9ba8925e698ae3981742f45378f686:active { border:0!important; } .u5a9ba8925e698ae3981742f45378f686 .clearfix:after { content: ""; display: table; clear: both; } .u5a9ba8925e698ae3981742f45378f686 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u5a9ba8925e698ae3981742f45378f686:active , .u5a9ba8925e698ae3981742f45378f686:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u5a9ba8925e698ae3981742f45378f686 .centered-text-area { width: 100%; position: relative ; } .u5a9ba8925e698ae3981742f45378f686 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u5a9ba8925e698ae3981742f45378f686 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u5a9ba8925e698ae3981742f45378f686 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u5a9ba8925e698ae3981742f45378f686:hover .ctaButton { background-color: #34495E!important; } .u5a9ba8925e698ae3981742f45378f686 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u5a9ba8925e698ae3981742f45378f686 .u5a9ba8925e698ae3981742f45378f686-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u5a9ba8925e698ae3981742f45378f686:after { content: ""; display: block; clear: both; } READ: Fashion: Color and Type Your Response EssayModernism allowed artist to make art that was controversial in subject matter and sometimes only made sense to the artist. Being different was a good thing in Modernism and it allowed for the creativity and expansion for art to evolve. The article about abstract expressionism really showed how art is always changing and evolving by taking pieces Of the past With them bolt still progressing forward. It shows what it takes for some art styles to become a fashion and how some are only ever a trend and that with all fashions something new will always come to replace it.